Joyce’s a Portrait of the Artist as a Young Man Essay

AbstractWriters of the firstly decades of the twentieth century became fascinated by the inner lives of teeming impressions , and by the mental activities of meaning making which act our private inner lives. The works of Irish reliever James Joyce are distinguished by their keen mental insight and subprogram of several(a) literary techniques most(prenominal) notably float of understanding which is an attempt to write in the manner in which thoughts and memory actually work in our top dogs.This study is an attempt to examine the steam of intelligence as a technique utilize in Joyces A Portrait of the creative person as a Young Man (1916) which is mavin of the greatest of recent novels. Joyce arranged his novel in five chapters which trace the protagonists life, Stephen Dedalus, from boyhood to young manhood.In this study , a careful examination of this technique is carried out through moving from the innocence of puerility to frenzied episodes of callow lust and t hen to a calm contemplation of women, aesthetic possibleness independence and art .Introduction Stream of consciousness is a level technique in non dramatic fiction intended to render the bunk of myriad impressions-visual, auditory, physical, associatory, and subliminal-that impinge on the consciousness of an individual and form exposit of his awareness along with the trend of his rational thoughts.This term was first employ by the psychologist William James in The Principles of Psychology (1890). James was formulating a psychological theory where he had discovered that memories, thoughts and feelings exist outside the primary consciousness appear to one, not as a chain, but as a stream , a flow .In his introduction on the use of this narrative technique, Robert Hurley shows that It was first used, as a literary term, in the late(a) 19th century. This term is employed to evince subjective as swell as objective candor. It reveals the roles feelings, thoughts, and actions, often following an associative rather than a logical sequence, without commentary by the author.Widely used in narrative fiction, the technique was perhaps brought to its highest point of development in early twentieth century novels where stream of consciousness plays an important power . Writers such as Dorothy Richardson , James Joyce , Virginia Woolf , and William Faulkner writing during the same period, each essential distinctive uses of this technique. . James Joyce, whose talents were so much greater, will be regarded as much more than this.In Chapter Two Stephens Childhood the seed of the book-describing Stephens experiences as a baby-represents the thoughts of an sister as well as other peoples so-cal lead baby talk to an infantOnce upon a time and a very good time it was there was a moocow approach path down along the road and this moocowHis produce told him that story his father looked at him through a glass he had a hairy face. (A Portrait, ch. 1, p. 7 )Through the artistic use of the stream of consciousness , Joyce exposes us directly to Stephens interior world. We are precondition no clues how to feel or react we have no allow position outside of the narrative_ Stephens environment is just Stephens environment, Stephens thoughts are just Stephens thoughts A development of the blurt outgle point of view in which reality appears only as it is mirrored in the observations , sensations , and memories of a single character . his treatment of Stephen during this critical wooden leg of his life. With Stephen , Joyce suggests rather than fully records the stream of consciousness as he walks through Dublin, stray thoughts flicker through his mind like fishes, thoughts suggested by whatever business he is about, by things that gravel his eye in the streets , by smells that assail his nostrils and all the time , coming sometimes to consciousness through association with these sense- impressions. Chapter Four Stephens man sortJoyce used St. Francis Feast Day as an entrance to another st mount up in Stephens life . It is the stage of manhood or as it will be reflected a rebellion against the Catholic values. At first he enters a state of moral paralysis and confusion.Having broken one rule , he seems to lose the ability to maintain any kind of moral structure or self- discipline. His deep unrest manifests itself as a general souring of his whole personality. His situation is difficult. He is indulging in the pleasures of the flesh for the first time , but he soon learns that to depopulate the moral order in which one was raised is no unclouded thingHe had sinned mortally not once but many an(prenominal) times and he knew that , while he stood in danger of staring(a) damnation for the first sin alone, by every succeeding sin he multiplied his guilt and his punishment. His days and works and thoughts could make no atonement for him , the fountains of sanctifying grace having ceased to refresh his soul his sin, whic h had covered him from the sight of God, had led him nearer to the refuge of sinners. ( Ch.3 , p.98 )ConclusionIn A Portrait of an artist as a young Man , Joyce followed Stephens life from childhood through adolescence to first flash of manhood using one of the most artistic and remarkable techniques ever used in English novel . As Stephen matures through various family conflicts and periods of study at Jesuit schools, he begins to rebel against his family, his religion, and his nation. Finally, in order to establish himself as an individual and to retrieve his identity as an artist, he seeks self-imposed exile in capital of FranceWhat particularly sets Portrait apart form other coming of age books is Joyces manipulation of the narrative itself- the language and syntax used at each point in the book reflect the age and skilful development of Stephen.To link the sections of his novel and the phases of Stephens life Joyce used flourish patterns of symbols which echo and re-echo through the text, the use of stream of consciousness .